Download A Word from Our Viewers: Reflections from Early Television by Ray Barfield PDF

By Ray Barfield

Tracing public and significant responses to television from its pioneering days, this booklet gathers and provides context to the reactions of these who observed television's early broadcasts—from the privileged few who witnessed experimental and limited-schedule programming within the Nineteen Twenties and Nineteen Thirties, to those that acquired television units and hoisted antennae within the post-World battle II tv growth, to nonetheless extra who invested in colour receivers and cable subscriptions within the Sixties. whereas the 1st significant sections of this research convey the perspectives of television's first huge public, the 3rd part indicates how social and media critics, literary and visible artists, and others have expressed their charmed or chagrinned responses to tv in its earliest decades.

Media-jaded american citizens, specially more youthful ones, will be shocked to understand how eagerly their forebears expected the arriving of tv. Tracing public and important responses to television from its pioneering days, this ebook gathers and offers context to the reactions of these who observed television's early broadcasts-from the privileged few who witnessed experimental and limited-schedule programming within the Twenties and Nineteen Thirties, to those that acquired television units and hoisted antennae within the post-World battle II tv growth, to nonetheless extra who invested in colour receivers and cable subscriptions within the 1960s.

Viewers' reviews bear in mind the buzz of possessing the 1st television receiver in the community, express the vexing demanding situations of reception, and checklist the excitement that each one younger and lots of older watchers present in early community and native courses from the start to the fast-changing Nineteen Sixties. whereas the 1st significant sections of this learn exhibit the perspectives of television's first huge public, the 3rd part exhibits how social and media critics, literary and visible artists, and others have expressed their charmed or chagrinned responses to tv in its earliest decades.

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A Word from Our Viewers: Reflections from Early Television Audiences

Tracing public and demanding responses to television from its pioneering days, this booklet gathers and offers context to the reactions of these who observed television's early broadcasts—from the privileged few who witnessed experimental and limited-schedule programming within the Nineteen Twenties and Nineteen Thirties, to those that acquired television units and hoisted antennae within the post-World warfare II tv growth, to nonetheless extra who invested in colour receivers and cable subscriptions within the Nineteen Sixties.

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The set was delivered late one evening. I’d been unable to concentrate at school that day. My thoughts were consumed with the fact that I would have unlimited access to a new state-of-the-art color TV right next door. (We still had black and white in our home. In fact, it may have been late ’60s-early ’70s before we took the plunge. Mom and Dad chose feeding and clothing us above entertainment. I appreciate that . . ” We gathered around the new set that night. I stood amongst parents, siblings, aunts and uncles, and my questions were answered.

Owens Pomeroy wonders “ . . how many remember the ‘color sheets’ for black and white television that you attached to the front of your 7-, 10-, or 12-inch screen? It consisted of nothing more than a tinted sheet of plastic in three sizes, green at the bottom, flesh-tone in the middle, and light blue at the 13:9 P1: 000 GGBD175C02 C9870/Barfield Top Margin: 5/8in Gutter Margin: 3/4in October 5, 2007 Test Pattern Days 29 top. ) This was OK if you were watching a show that had a long shot of a city street or Western prairie, but if there was a closeup of a person, they had green clothes and blue hair!

Html, accessed August 12, 2003. 4. Jay S. Harris, with TV Guide editors, TV Guide: The First 25 Years (New York: Simon and Schuster, 1978), 36. 5. “Kukla, Fran & Ollie,” Museum of Broadcast Communications Encyclopedia of Television, ed. Horace Newcomb, vol. 2 (Chicago and London: Fitzroy Dearborn, 1997), 910–911. 6. Elaine Noble, “When ‘Window Movies’ Came to Des Moines,” Reminisce (JulyAugust 2003): 12–13. 7. Reese Fant, “If You’ve Got Any Radio Stories, There’s Someone Who Wants Them,” Greenville News (September 19, 1993): sec.

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